Moretto da Brescia (originally Alessandro Bonvicino), Italian painter, active mainly in his native Brescia and the neighbourhood. He was a pupil of Titian and certainly his influence is apparent in Moretto's work. He was the leading Brescian painter of his day and had a large practice as a painter of altarpieces and other religious works, the best of which display an impressive gravity and a poetic feeling for nature (St Giustina with a Donor). However, his portraits, although much less numerous, are considered to be generally of higher quality and of greater importance historically. It seems likely that he introduced the independent full-length portrait to Italy, for although Vasari credits Titian with this distinction. Moretto's Portrait of a Gentleman of 1526 in the National Gallery, London, antedates any known example by Titian by several years. He passed on the thoughtful qualities to his pupil Moroni. //