German painter named after the Annunciation and Nativity wing panels now in the Kunsthaus Zürich, which probably belonged to a Crucifixion altarpiece whose central panel (itself attributed to a collaborator) is in the Frauenkirche, Munich) The putative location of his workshop in Munich is supported by stylistic similarities between his paintings and the contemporary work of the Master of the Polling Panels, who counted among his patrons Duke Albrecht III of Bavaria-Munich. He appears to have traveled in Italy. //