Italian illuminator and goldsmith. The creator of some of the liveliest miniatures of the 15th century, his manuscripts are rich in stylistic innovation and thematic invention, sometimes elaborated in a very limited space. He worked for the most important patrons in Italy and abroad, beginning his artistic career under Cosimo il Vecchio and Piero I de' Medici, and continuing it under Lorenzo the Magnificent. Vespasiano da Bisticci was his contact with patrons outside Florence, who included Federigo II da Montefeltro, Ferdinand I, King of Naples, Louis XI of France and Matthias Corvinus, King of Hungary. Francesco decorated texts of all kinds - literary, historical, scientific, religious - and of all sizes, from small Books of Hours to huge choir-books. Amid this variety of subjects his studies of the human figure and his introduction of portraits was innovative; he also established his own approach to landscape, with results similar to those of Antonio Pollaiuolo. His inventions, however, were reserved for privately commissioned books of small size. He created a new kind of book illustration and interpretation with his miniatures for Petrarch's Triumphs and Apollo and Daphne, the latter almost all in the form of drawings or tinted drawings. For the works of Ptolemy and Pliny he invented the image of the Humanist in his study. //