Italian architect, teacher, restorer and writer. He was the elder brother of Arrigo Boito, composer and author of the libretti for Giuseppe Verdi's last two great operas, Otello and Falstaff. Boito was an important figure in many ways in the cultural life of Italy, and especially Milan, in the second half of the 19th century. He not only taught at the Accademia di Brera and the Istituto Tecnico Superiore for nearly 50 years but also took part in competitions (both as competitor and adjudicator), wrote articles on architecture and restoration for newspapers and periodicals, as well as numerous reports for private individuals and the government, and was active in numerous professional associations. He also served on numerous commissions, particularly after his appointment as Director of the Accademia di Brera in 1897. Boito was the theorist of the Italian Gothic Revival. During his extensive work restoring ancient buildings, he tried to reconcile the conflicting views of his contemporaries on architectural restoration, notably those of Eugene Viollet-le-Duc and John Ruskin. He is perhaps most famous for his restoration of the Church and Campanile of Santi Maria e Donato at Murano, inspired by the theories and techniques of Viollet-Le-Duc. He also worked on the Porta Ticinese in Milan between 1856-58 and famed Basilica of Saint Anthony in Padua in 1899. He designed the Cemetery of Gallarate. Other architectural designs include Gallarate Hospital (in Gallarate, Italy) and a school in Milan. His most famous building in Milan is the Casa di Riposo per Musicisti which was built 1895 - 99. It was financed by the composer Giuseppe Verdi and serves as a rest home for retired musicians, and as a memorial for the composer, who is buried in the crypt of the chapel there. //